Colin Metters has extensive experience in the concert hall and theatre, in the UK and across the world. He has conducted across the world working with orchestras in Poland, Spain, Greece, Australia, New Zealand, Singapore, Turkey, Venezuela, Hong Kong, Netherlands, Vietnam, Ho Chi Minh City, Zurich, South Korea, Germany and the Baltic States.
He has conducted many of the leading symphony orchestras in the UK including the BBC Symphony, BBC Scottish Symphony, Halle, Bournemouth Symphony, Ulster Orchestra, City of Birmingham Symphony, Liverpool Philharmonic and the Philharmonia and the National Symphony Orchestra of Ireland.
He also has considerable experience in the theatre, conducting opera galas and working with many leading dance and ballet companies. On leaving the RCM he was appointed Music Director to Ballet Rambert and went on to conduct Australia Ballet at Sydney Opera House, Netherlands Dance Company, Cape Town Ballet, Ballet de Louvre, Sadlers Wells Royal Ballet at Covent Garden. He returned on three occasions to work with New York City Ballet at the Lincoln Centre conducing Brahms/Schoenberg, Tchaikovsky, Stravinsky and Bernstein. Over the years he worked with such legendary dancers and choreographers as Rudolf Nureyev, Anthony Dowell, Antoinette Sibley, Maina Gielgud, Galina Samsova, Leonide Massine, Sir Peter Wright and Sir Robert Helpmann.
Repertoire
His repertoire is wide ranging encompassing the mainstream works from classical to present day, including works by Jonathan Harvey, Paul Patterson, Edward Cowie, Arne Nordheim, Edgard Varese, Roberto Gerard, Webern, Stockhausen, Schoenberg, Toru Takemitsu and James Macmillan.
He has received particular praise for his conducting of their own works from:
Hans Werner Henze, “Tristan”
Richard Rodney Bennet: Dream Dancing; Commedia III; from his 60th birthday concert
Robin Holloway: “Wagner Nights” and world premiere of the Clarinet Concerto (commissioned by Metters)
Following the premiere Holloway wrote to Metters -
“ There's no doubt that it is a difficult piece, in its length, seriousness and concentration. There's no doubt that the way it came over as something deeply felt, was due to your skill and sheer power of interpretation.”
Lutoslawski: Jeux Venitiens; Livre pour Orchestra; Mi Parti; Paroles Tissees.
Penderecki: Symphony No. 1 and Passacaglia
Panufnic: Sinfonia Mistica
Michael Tippett: Symphony No. 1
Following a performance of 'Et Expecto Resurrectionem Mortuorum' (Recorded live by the BBC) Messiaen wrote in Metters' score…
“For Colin Metters - who conducted with so much power, courage and nobility this difficult work. With my congratulations and my profound recognition! Thank you, bravo! And my friendship.”